Now in its fifteenth season, the Portsmouth Chamber Music Series brings world-class musicians to the city. In partnership with Music in the Round and the Portsmouth Cultural Trust, we present the finest music in informal surroundings where you are never more than a few metres from the performers. Q and A sessions follow each concert, and a 20% discount is available to those who book the whole series.
Tickets available from the Portsmouth Guildhall: 023 9387 0211
For further information or to join our mailing list, please contact firstname.lastname@example.org or 023 9284 3023
£18 full price, £16 concessions: book all six concerts and get a 20% discount, so £86.40 for the whole season (£76.80 concs). Student-standby tickets are available from 7pm on the day of each concert, for £6. Prices include booking fee and restoration levy.
All concerts start at 7.30pm in the Portsmouth Guildhall: seating is unreserved, with doors open from 7pm.
Monday 8 October, 2018, 7.30pm
Florian Schötz & Pinchas Adt violins, Christoph Vandory viola, Raphael Paratore cello
HAYDN String Quartet in D, Op. 76 No. 5
SHOSTAKOVICH String Quartet No. 3 in F, Op. 73
BEETHOVEN String Quartet in E minor, Op. 59 No. 2
Rising stars from Germany, the Goldmund play with enormous flair and commitment to the music. The programme includes pieces by three of the greatest composers of string quartets. Haydn’s example is from his late great Op. 76 set, while the Shostakovich is the third of fifteen. That does not make it an early work, however, as he had already composed nine symphonies, and this quartet is a masterpiece in its own right. The Beethoven is the second of the three Rasumovsky quartets, a set which sees the composer moving away from the ‘classical’ style towards the truly unique style of his later works.
“The Goldmunds make a beautiful sound, elegant and transparent, with a real sense that these four players are friends both on and off the concert platform.” – Gramophone Magazine, Jan. 2017
Monday 5 November, 2018, 7.30pm
POULENC 3 Novelettes
DEBUSSY Images Book II
PROKOFIEV Piano Sonata No. 7
SCHUBERT Sonata in B-flat, D. 960
Steven Osborne’s insightful and idiomatic interpretations have made him one of the most highly regarded pianists in the world. His numerous awards include The Royal Philharmonic Society Instrumentalist of the Year (2013) and two Gramophone Awards. This programme shows him at his finest, with wonderful sets of miniatures by Poulenc and Debussy contrasted with a highly dramatic sonata by Prokofiev, and then perhaps the finest of all piano sonatas, Schubert’s last.
“Some pianists gild everything they touch with their own personality; some are like chameleons, finding a new colour for each composer. Last night the wonderful Scottish pianist Steven Osborne did both, which lent the whole evening a miraculous air…every note seemed to vibrate with intelligence.” – The Daily Telegraph, Feb. 2016
Monday 28 January, 2019, 7.30pm
Benjamin Nabarro & Claudia Ajmone-Marsan violins, Ruth Gibson viola, Gemma Rosefield cello, Matthew Hunt clarinet, Naomi Atherton horn, Tim Horton piano
DOHNÁNYI Sextet in C, Op. 37
BRAHMS Clarinet Quintet in B minor, Op. 115
Ensemble 360 is the resident ensemble of Music in the Round, who play in a variety of combinations up to eleven musicians in total, allowing the possibility of programming interesting works which are rarely heard. This concert is a good example, featuring sextets which were composed just two years apart, and yet with sound-worlds which could not be more different. Indeed the Dohnányi is far more similar in style to Brahms, and this is a work that truly merits the label of ‘unjustly neglected masterpiece’. The Brahms on the other hand needs no introduction as this is perhaps the most famous of all his chamber works.
“The clarinettist [Matthew Hunt] played so beautifully it was as though he wished to make the very air of the hall melt.” – Tokyo Times
Monday 25 March, 2019, 7.30pm
Erdem Misirlioglu piano, Pablo Hernán Benedí violin, Michael Petrov cello
MOZART Divertimento in B-flat, K. 254
FAURÉ Piano Trio in D minor, Op. 120
BEETHOVEN Piano Trio in E-flat, Op. 70 No. 2
Formed in 2009 at the Guildhall School of Music & Drama, the Trio Isimsiz won 1st Prize and the Audience Prize at the Trondheim Competition in 2015. They combine great unanimity of ensemble with lots of individuality of character. Mozart’s delightful first piano trio is contrasted with one of Fauré’s last works, composed when he was 78. Beethoven’s Op. 70 No. 2 is the companion piece to the more famous ‘Ghost’ Trio, but, as Beethoven once remarked in connection with two of his symphonies, it might be less popular ‘because it is so much better’!
“An outstanding debut disc by the Trio Isimsiz whose unusually thoughtful interpretations are presented with dazzling technical mastery” – Gramophone Magazine, March 2018
Monday 29 April, 2019, 7.30pm
Nathaniel Anderson-Frank & Michael Trainor violins, Tetsuumi Nagata viola, Jessie Ann Richardson cello
HAYDN Quartet in D, Op. 20 No. 4
JOSEPH PHIBBS String Quartet No. 1
SCHUBERT Quartet in G, D. 887
We are delighted to welcome back the Piatti Quartet who gave such a memorable performance two years ago with Krzysztof Chorzelski of the Belcea Quartet. This time they present a quartet from the first set by Haydn regarded as ‘mature’. Indeed it is a fabulous set and No. 4 is one of the strongest. The Schubert quartet dates from towards the end of his life, and, like the piano sonata programmed earlier in the season, is a towering pillar of the repertoire. Joseph Phibbs has rapidly made a name for himself with orchestral works premiered by conductors such as Esa-Pekka Salonen, Leonard Slatkin, and Vassily Petrenko. The Belcea Quartet has recently commissioned a third quartet from him, and No. 1 was commissioned by the Piatti, and premiered by them in 2015.
“The Phibbs proved formally exhilarating yet plangent in its combination of vibrancy and formal rigour.” – The Sunday Times, May 2015
Monday 20 May, 2019, 7.30pm
Tim Horton piano, Benjamin Nabarro violin, Ruth Gibson viola, Gemma Rosefield cello
MAHLER Piano Quartet in A minor
STRAUSS Piano Quartet in C minor, Op. 13
BRAHMS Piano Quartet in A, Op. 26
Mahler and Richard Strauss may be household names to orchestra-goers, but they are almost unknown for their chamber music. Mahler’s haunting single movement was composed during his late-teens, while Strauss’ full-length work in four movements dates from 1884 when he was 20. It is a wonderful piece full of hints of what was to come in the magnificent series of tone poems the first of which was premiered just two years later. Brahms’ quartet on the other hand is a fully mature piece is in his most energetic and entertaining style.
“…one immediately felt in the presence of players who embraced them with affectionate abandon – and had the skill to bring it off.” – BBC Music Magazine