Weber – Der Freischutz Overture
Prokofiev – Violin Concerto No.2
Brahms – Symphony No.1
Anna Sułkowska-Migoń (conductor)
James Ehnes (violin)
Der Freischütz is a convoluted tale of magic bullets, invisible spirits, and pacts with the devil. Today the opera is rarely staged, but its overture, full of dramatic contrasts of this tale of conflict between good and evil, remains one of Weber’s most popular orchestral works.
Prokofiev’s Second Violin Concerto was his last work to be written before his return to Moscow from self-imposed exile. Full of lyrical beauty, it perfectly suited the Soviet desire that music should appeal to the masses. Prokofiev was also working on his ballet Romeo and Juliet at the time so it is not surprising that the concerto is just as tuneful and Romantic.
Brahms’ First Symphony, although inspired by those of his hero Beethoven, broke new ground for symphonic form. It is a symbolic journey from darkness to light, the themes developed from a handful of motifs, all smelted together into a shining edifice, with nothing wasted. Two middle movements provide a relief between the power and weight of the opening and closing movements, and his orchestral sound also is unique: by turns dark and meltingly warm, often infused with a rueful quality expressing a strain of sadness in his personality never lightened by artistic success.
James Ehnes, one of the most sought-after violinists on the international stage, joins Bournemouth Symphony Orchestra for Prokofiev’s Violin Concerto No.2. This is a piece full of lyrical beauty and perfectly suited the Soviet desire that music should appeal to the masses. James Ehnes describes the piece as one of his favourites and as “everything you would want in a violin concerto”. Come along to Guildhall Portsmouth to hear it in all its glory, alongside works by Weber and Brahms.