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Chichester Music Society: David Owen Norris: ‘A path of his own discovery’: Beethoven at the piano

Wed 9 Dec 2020 7:30pm, Chapel of the Ascension, Bishop Otter Campus, University of Chichester

David Owen Norris is a pianist, composer and broadcaster. He won the Prize of the City of Geneva in the Geneva Competition, and the Accompanist’s Prize at Leeds; and since his appointment to the prestigious Gilmore Artist Award, has performed all across the world, with four appearances in the BBC Proms, concert tours of Europe, Australia and North America, including performances at Sydney Opera House, the Kennedy Centre, Lincoln Centre, Ravinia Festival Chicago, the South Bank Centre etc. and a discography of 60 commercial CDs including his own Piano Concerto with the BBC Concert Orchestra, and his oratorio Prayerbook. His other compositions include a Symphony, a Piano Sonata, the oratorio Turning Points, and the multi-media tribute to the passing seasons, HengeMusic.

His Chord of the Week programmes on BBC2 television were a popular feature of the Proms for six years. His Perfect Pianists is often shown on BBC4. He has contributed to programmes on Parry, Vaughan Williams, Mendelssohn & Elgar, including ninety minutes on BBC2 dedicated to Elgar’s Piano Concerto, with a full, filmed performance with the BBCSO. His first TV presentation, The Real Thing? from 1990, was hailed by the Daily Telegraph as ‘the most literate and probing programme on music for many years’, and his most recent Chord of the Week was reviewed by the Observer as ‘the most consistently intelligent three minutes you’ll watch on this or any other television this year’. The Beethoven 9 app for which he wrote the book and the analyses won the Best Music App Award.

His many radio presentations have included the Playlist series on Radio 4, and In Tune and The Works on radio 3, where he made his 28th appearance on Building a Library last December. Recordings recently released include Mozart on fortepiano for Hyperion, featured in the New York Times, and the complete Chamber Music of Grace Williams, which was a Guardian CD of the Week. He will shortly conclude his complete survey of Sir Arthur Sullivan’s songs on Chandos.

In this evening’s lecture/recital David Owen Norris begins by tracing the development of Beethoven’s stylistic traits from the variations: triple-time Adagios, such a metrical minefield for performers throughout his work; the ridiculous jokes, the baffling dynamic shifts, the exploitation of each end of the keyboard, even the boldness of tonality – all is here in embryo.

He then turns his attention to Beethoven’s two most remarkable sonatas composed before deafness put an end to his performing career: the Sonate Pathétique, Op. 13 (1799) and the Fantasy-Sonata Op.27 No.2 (1802 – the Moonlight Sonata). Op.13 shows us how Beethoven’s pianism came out of his harpsichord playing – the first edition describes it as being ‘for harpsichord or pianoforte’, and Beethoven arranged many of its details with that in mind. The Moonlight, from the same year as the Heiligenstadt Testament, Beethoven’s open letter of despair to the world, can be read as a personal response to the onset of deafness – it is dedicated to the pupil he had hitherto hoped to marry.


The Portsmouth Chamber Series is back!

I am finally able to confirm full programme and booking details for our delayed 2020-21 season – please see the listings in the link below.

The concerts won’t look the same because while the distancing requirements remain in place we have to seat you in the main auditorium. At the point of booking, seating will be unreserved as usual, to allow the flexibility to seat twos, threes, fours etc together, but prior to the concert seating will be allocated by Guildhall staff to ensure we keep to the rules. I have already been to an event at the Guildhall and was very impressed both with how careful they are being, and by how smoothly things went despite being different from usual. They have various procedures in place to help ensure everyone is safe – please see the details below.

The concerts won’t look the same, but they will sound every bit as good! We open with an exciting programme by our ‘resident’ Ensemble 360, containing some less familiar repertoire which I think you will really enjoy. Then we have the Doric Quartet who last played in 2015.

The Arcadia Quartet is new to Portsmouth, but they won the Wigmore competition back in 2012, and I was bowled over by their recent recording of the Bartok quartets. Martin Roscoe needs no introduction, but this is one of the concerts we had to cancel six months ago.

Ensemble Perpetuo is a collective based in London and as such is not a usual candidate for our series except that these particular musicians are of the very highest calibre, and have performed together many times under this umbrella name. I was really attracted by the programme, put together by Fenella Humphreys, who last played here in 2012, the first time we had the Lawson Trio.

We have decided not to do a brochure this year, so I hope you will help me to spread the word, and look forward to resuming ‘live’ music.

Here are the Guildhall procedures:

– Your temperature will be checked on arrival. Should this be 37.8 degrees or higher, you will not be permitted entry.
– Masks will be mandatory to be worn for the duration of the time in the venue.
– If you are showing any symptoms of Covid-19 (high temperature, loss of taste/smell or a new continuous cough), we ask that you refrain from attending.
– There is a maximum of 6 tickets per booking.
– Name and contact details will be collected for Track and Trace on arrival.
– To keep you safe in the venue, further information is available here: https://portsmouthguildhall.org.uk/your-visit/covid-safety/


Chichester Chamber Concerts series update

We are delighted to announce that our new season of concerts will take place in the Assembly Room starting on 1st October. The concerts will also be live-streamed by MD Music Production, directors David Greenlees and Mark Mawson.

Seats in the Assembly Room will be limited to approx. 40, so hurry to get one from Chichester Festival Theatre via https://www.cft.org.uk/chichester-chamber-concerts – tickets can be ordered online or by post (Chichester Festival Theatre, Oaklands Park, Chichester, PO19 6AP); no telephone or in-person bookings at the moment.

We will be live-streaming a rescheduled concert on 10th September by the Trinity Ensemble (seats in the hall sold out) – see CCC website for programme details – live stream tickets £9: https://www.chichesterchamberconcerts.com/trinity-10thseptember2020.

We are thrilled to be welcoming our audience back to hear wonderful musicians live in the Assembly Room, and to welcome the musicians themselves who have been deprived of their livelihood and the joy of sharing great music with their audience.

We look forward to the day when restrictions will be lifted and we can welcome everyone back to the Assembly Room.

 


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