Please see the linked page below for this new publication: Veni Creator Spiritus by Rosemary Field (formerly sub-organist at Portsmouth Cathedral). It’s a fusion of traditional plainsong and a George Herbert text from 1633. The piece was written for what was then the Parish Choir at Portsmouth Cathedral, about 20 years ago.
Rosemary Field is the outgoing Deputy Director for Education of the RSCM, having previously held appointments in the dioceses of Portsmouth and Lincoln. She is a very experienced organist and choir trainer. I have two newly-published pieces by her to tell you about.
Veni Creator Spiritus is a clever fusion of the plainsong hymn with a text by George Herbert (The Starre). The texts are complementary and contrasted. That contrast is mirrored in the music; there are moments of word-painting and a few harmonic surprises, mostly to colour particular syllables. There is one very short de-synchronised moment where recitative style in the tenor part is set between regular note-values. The overall effect is layered and rhapsodic.
Then O Emmanuel is based on the last Advent (Magnificat) Antiphon, O Emmanuel. It centres on an insistently-building chorus of “Veni” as fits the calendar moment, contrasted with solid chordal writing for the ‘King and lawgiver’ line, and framed by imitative reflections on the opening phrase of the plainsong. It would suit a late-Advent service, form a pivot-point between prophecies and a Gospel reading, or sit in the classic pre-Evensong slot, being a cappella.